Hey everyone, here's the review of my show as it will appear in The Oregonian as of tomorrow. We were all pretty pleased with it, they were very complementary to Mikke, and all-in-all gave us more positive than negative feedback. Adam came to opening night on Friday, and enjoyed himself from a historical/mythological perspective, as well as meeting everyone that I've been telling him stories about for weeks now. We had a lot of fun at the fundraiser/after party, even though we didn't win the free weekend on the coast in the raffle drawing. A number of people from Starbucks, Kroma, and Village Baptist have said they want to come see it. In fact, Adam's planning on attending again with a large group from church in a couple of weeks.
My theatre class at Village Home (Portlanders apparently really like using "village" in naming things) went really well this last week. It was our last day of "technical theatre" so we combined set and costume design. Together we all came up with two set designs and a number of costumes for "Peter Pan." I was really impressed with the kids' ingenuity, I had told them that we had an "infinite budget" so we didn't have to worry about what we wanted versus what we could afford, they ran with that like wildfire! Next week we start actual monologue work. We'll see how many of them remember to bring scripts to class.'Women of Troy' ambitiously blends two plays, with a few bumps
October 05, 2009, 4:00AM
If you missed Classical Greek Theatre of Oregon's production of "Trojan Women," which closed last week, don't fret. The tragic female survivors of a war-destroyed city are the focus of another production, "The Women of Troy," presented by Portland Ensemble Theatre Company in association with
Lunacy Stageworks. This intriguingly ambitious, if occasionally rough, piece is an original adaptation not only of Euripides' "Trojan Women" but also of his "Hecuba."
"The Women of Troy"
When: 8 p.m. Thursdays-Saturdays, 2 p.m. Sundays through Oct. 24
Where: Sellwood Masonic Temple, 7126 S.E. Milwaukie Ave.
Tickets: $12-$15,
lunacystageworks.orgRecommended Put together by Elisabeth Harvey, one of Lunacy's co-directors, "The Women of Troy" combines two plays that may have been written as much as 15 years apart. With overlapping but slightly incongruous plots, both are set among the tents of the Trojan women prisoners as they wait to be split up and carried off as slaves to new homes in Greece.
In "Trojan Woman," Hecuba, the defeated Trojan queen, endures one tragic loss after another. She laments the recent devastation of her city and slaughter of husband, Priam, at the play's start. Her agony is compounded when she learns of her daughter Polyxena's death, helplessly watches as daughter Cassandra and daughter-in-law Andromache are taken away by their new Greek masters, and finally suffers the torment of tending her murdered grandson's corpse. War is shown to be horrible, but the Greek overlords, in their failure to see the horror of their deeds, set their own tragic destinies in motion.
"Hecuba" focuses on the queen's loss of her son Polydorus and daughter Polyxena and her brutal vengeance against Polymestor for the murder of the former. In this savage act, Hecuba becomes like her oppressors - exemplifying how war dehumanizes victor and defeated alike.
Harvey's fusion of the two plays is surprisingly seamless. She develops a poetic idiom that allows for fluid back-and-forth movement, and she makes small changes in the story-lines as necessary to accommodate her amalgamation.
Most interesting is her transformation of Helen, who as the catalyst for the war comes off rather badly in Euripides' "Trojan Women." Here Helen is much more sympathetic, even drawing the sympathy of the Trojan women chorus when Hecuba verbally abuses her late in the second act.
This adaptation's problem is that the revenge on Polymestor and its contribution to an ongoing cycle of violence is so powerfully drawn that the attack on a relatively innocent Helen seems anti-climactic. Harvey might be trying to do too much. By the tragedy's end, Hecuba's emotional and moral development become a bit tangled. Perhaps Euripides was right - the intensity and complexity of the material requires two separate plays.
Even so, director Glenn McCumber's gallant acting company does well with the challenging text. Members of the large cast, including a Greek chorus of four women, occasionally have difficulties measuring up to the classical style, but for the most part, the actors create clearly and thoughtfully defined characters.
As Hecuba, Mikki Lipsey ably conveys a broad range of emotions, smoothly manifesting the depth of the queen's sorrow, the fervor of her fierce hatred of her enemies, and the controlled restraint of her eloquent arguments against Polymestor and Helen.
Among the supporting roles, Aiyana Cunningham's madly ecstatic Cassandra, Nelda Reyes' passionately heroic Polyxena, Brian Guerrero's oh-so-wily Odysseus, and Jake Street's arrogantly deceitful Polymestor stand out.
Most of the actors, including the chorus, wear half-masks, and occasionally actors raise their masks. The logic prompting this doffing of masks isn't always clear; but at least in the case of the Greek characters, removing the mask seems to suggest a temporary but real sympathy with whomever the character is speaking.
Russ and Sue Romas' scenery evokes a sense of both the primitive and the ritualistic: a dirt floor, off-white drops in the background, two off-white tents in the mid-ground and several wooden stumps and a burnt-out campfire of rocks, ashes, and what looks like a large thigh bone in the foreground. This setting, as well as the production's artful lighting and costumes suggesting ancient Greece, work well to carry us into the world of this tragedy.
-- Richard Wattenberg
Adam and I did end up going camping (finally) two weeks ago. We went to Cape Lookout, to the state park campground and it was lovely. The dog had a lot of fun in the ocean, although the waves coming at her never ceased to make her leap over the crest (which we thought was pretty hysterical). She drank a crap-ton of sea water which went straight through her in a way that was rather worrying since she was sleeping in the tent with us, but by the time we went to bed, she seemed to be doing fine again.
Adam is currently investigating the work that would be involved in him finishing his degree and potentially entering full-time ministry. If you're curious to know more about that, ask him. He's put a lot of thought into it and can articulate the motivation behind the idea far better than I can. If he decides to pursue that hard-core, we'll both look into finding soulless, mind-numbing jobs that will allow us a financial cushion (or at least, eliminate some debt) while he's in school.
I guess that's all for now. Adam's current book is an e-book, so it's kind of impossible for him to read while I'm online. Speaking of, if anyone needs birthday/Christmas ideas for him, he would just like money so that he can build himself a new computer and I can adopt this one.
Love! ~C